LANA DEL REY HEAVENLY BODIES HOW TO
LANA DEL REY HEAVENLY BODIES FREE

LANA DEL REY HEAVENLY BODIES HOW TO

Sampling her 2019 song How to Di sappear, Wild At Heart showcases the best of Lana’s voice, which takes on a textured, raspy quality in the chorus. Wild At Heart showcases the best of Lana’s voice, which takes on a textured, raspy quality in the chorus Sonically, it’s possibly the strongest on the album, with a rich and slightly foreboding instrumental, reminiscent of 70s Alt-Rock. This premise is also seen on the Beatles-esque track Dark But Just A Game where Lana suggests that her femininity caused her grief: “I was a pretty little thing and God I loved to sing but nothing came from either one but pain.” The mystical, brooding song also sees Lana reflect on celebrity culture and the drawbacks of fame. The vocals on White Dress see her embracing the vulnerability she once felt forced to hide.

LANA DEL REY HEAVENLY BODIES FREE

This delicate track with ethereal vocals sees her reminisce on “simpler-times.” The dreamy, celestial sounds transport listeners to her adolescence, when she waitressed, blissfully ignorant of the fame she would soon experience: “I felt free ‘cause I was only nineteen.”ĭel Rey’s high-pitched singing matches the sentiment of the lyricsĭel Rey’s high-pitched singing matches the sentiment of the lyrics, as she explores how her innocence and fragility at the time were commercialised by both her waitressing job as well as the music industry. With honest explorations of stardom, breakups and philosophy, Lana is seemingly no longer hiding behind the heart-shaped sunglasses seen from her ‘Born to Die’ and ‘Honeymoon’ eras.Ī post shared by Lana Del Rey album opens with an intrinsically ‘Elizabeth’ song: White Dress. ‘Chemtrails Over The Country Club’ is possibly the most ‘Elizabeth’ album the singer has produced. Throughout her career, it’s been unclear just how much ‘Lana’ and how much ‘Elizabeth’ has made up her lyricism.

With honest explorations of stardom, breakups and philosophy, Lana is seemingly no longer hiding behind the heart-shaped sunglasses seen from her ‘Born to Die’ and ‘Honeymoon’ eras Maybe Lana Del Rey – who was born named Elizabeth Woolridge Grant in Manhattan – is slowly making her way home. Venice and Laurel Canyon are exchanged for Louisiana and Arkansas, and the West Coast rock takes on a richer, folk style. On the lead single Let Me Love You Like a Woman, Lana softly sings: “I’m ready to leave LA and I want you to come” – hinting to listeners that they’re about to leave the Southern California setting of her previous album ‘Norman F****** Rockwell!’ and travel East. Experimenting with country and a more stripped-back style, Del Rey proves herself to be even more musically diverse than was previously known – all the while taking her listeners on a trip around America. If you know Lana Del Rey as the patriotic pop princess who sings about her ‘Summertime Sadness’ with a beehive even Priscilla Presley would envy, then her newest album ‘Chemtrails Over The Country Club’ might be a shock.

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